Contents |
Introduction: Questioning science, questioning originality -- To teach and to please: Anna Barbauld's original poetry and educational prose of natural history -- Hybrid Britons: West Indian colonial identity and Georgic originality in Maria Riddell's natural history -- The evolution of the plagiarist: natural history in Anna Seward's order of poetics -- Plagiarism and the poet-naturalist: Charlotte Smith's collective originality -- Translating cosmopolitanism: revolution in Helen Maria Williams's geopolitical nature -- Reconstructing origins: the psychologization of geological catastrophe in Mary Shelley's The last man -- Conclusion: Felicia Hemans, geological bodies, and the fate of originality. |
Bibliography note | Includes bibliographical references (pages 235-251) and index. |
Access restriction | Available only to authorized users. |
Technical details | Mode of access: World Wide Web |
Genre/form | Electronic books. |
LCCN | 2016053317 |
ISBN | 9780813939766 (hardcover : alk. paper) |